While completing my Master of Fine Arts at Elam School of Fine Arts in the mid-1970s, I was appointed the curator of prints and drawings at the Auckland Art Gallery in 1976. Although I was employed full-time by the gallery, the University permitted me to finish my master's degree over the following two years - moonlighting as it were. I completed my MFA with 1st class honours in 1978, submitting a thesis on Chance in Art. I was already an exhibiting artist - initially with the Barry Lett Galleries - although my curatorial career for the next 20 years put my role as an exhibiting artist largely on the back-burner, even though I was able to continue making my art in interludes.
My retirement from professional work in 1999, after several years as an independent curator, allowed me to focus more intently on my own art-making with the time and freedom I continue to relish as a (just) septuagenarian. Many of my artworks, influenced technically by my early years as a printmaker - though in other media - have evolved over decades with revisions and additions before final resolution, an impossible luxury had I been on the exhibiting treadmill with its pressing deadlines. Only in the last few years have I resorted to painting, my most recent on wood panels, taking me in a new and compelling direction.
1978
MFA Elam school of art, 1st class honours
1976 - 1978
Auckland Art Gallery, Toi o Tamaki, curator of prints and drawings.
1978 - 1999
Auckland Art Gallery, Toi o Tamaki, curator of International Art
1978
Graphic Works of Edward Ruscha (1978) - a first for this stellar Californian artist
1980
Len Lye - A Retrospective, Auckland Art Gallery
I curated this retrospective after working with Lye in New York. His death shortly before the opening sadly thwarted plans for both he and his wife Ann to attend.
1985
Chance and Change: A Century of the Avant-Garde, Auckland Art Gallery
My first major thematic exhibition was which included works by artists like Marcel Duchamp, Tinguely, Raphael do Soto, Arman, John Cage and David Medalla, that exemplified aleatory processes, transformation, kinetics and serendipity in their works. This was a culmination in many ways of my MFA thesis.
1986
Canaletto: Master of Venice, Auckland Art Gallery
1987
The Print: Methods and Masterpieces, Auckland Art Gallery
1988
Advance Australian Painting, Auckland Art Gallery
Jorg Immendorff in Auckland, Auckland Art Gallery
1990
Down to Earth: Boyle Family in New Zealand, Auckland Art Gallery
1991
The Painted Dream: Contemporary Aboriginal Paintings, Auckland Art Gallery
1993
Linda Benglis: From the Furnace, Auckland Art Gallery
1994
Aussemblage: Everyday objects transformed, Auckland Art Gallery
1996
Transformers: A moving experience, Auckland Art Gallery
1997
Peter Hill. The Art Fair Murders: A Superfiction, Auckland Art Gallery
1998
Ndebele: African Art in the Making, Auckland Art Gallery