Raewyn Whaley’s abstract art practice explores ideas and notions of “being" and incorporates her interest in contemplative thought through spontaneous undirected drawing, re-interpreted into abstract paintings. The link between abstraction and spirituality is demonstrated in the emotional and intellectual openness expressed on the canvas. In both spirituality and abstraction, ideas of mystery are present. Spirituality contains an invisible reality, where abstraction implies an invisible inner state. The senses are involved in perception of the spiritual and are utilised in the artist’s intuitive practice.

Whaley’s early years were influenced by the creative culture in her home life. Her grandfather Clarence Leman was one of Auckland’s early builders of villas, and first fibrous plaster manufacturer of ornate plaster ceilings. Her family home in Mt Albert, a show home for the business, featured gargoyles, and exotic fruit and flora in the ceilings.