2023
Original: Oil Pastel on paper.
Print: Hahnemuhle photo rag 308gsm
A4: 297mm (H) x 210mm (W)
Limited edition of 50
Wearing a Sudanese tobe is an art. They're up to 7 meters long, they constantly want to slip off your shoulder or head and you're regularly checking that what started as a tidy knot at your hip holding it all together hasn't slowly unravelled or twisted around your body to sit on your front. Twisting. Tugging. Tweaking. One of two sister pieces, 'Orange Tobe' portrays the tobe as a metaphor for the diasporic condition - to be in diaspora is to be in a constant state of adjustment. One is always trying to "keep the tobe on", or to retain a sense of cultural identity, no matter how hard it is to hold on.
Artwork sold unframed. Framed image is for visual inspiration.
Leena Kheir is an architectural graduate, writer, artist and activist currently living in Tāmaki Makaurau Auckland. Leena's works pay homage to Sudanese women and their centrality to nostalgic conceptions of home and family, as embodied by the Sudanese toub. Her recent series of works 'She is a Country' showcases the Sudanese toub as a cultural emblem and a representation of the constant state of adjustment that is the disporic condition. Through intimate portraits of her sister, mother and grandmother, Leena imagines her works as a love letter to Sudanese women.