An image space comes together as a result of two independent functions – the way we see objects and events in our surroundings, and how we think about these objects and events. Thinking connects us to images through memory, thus engaging us in time and history. 

What appear to be abstract shapes are in fact the shadows of seats within a cinema from a bygone era. The large open weave of the industrial carpet backing allows light to pass straight through it while struggling to contain the forms that make the image. The base material seems at odds with the reflective quality of metallic silver paint that forms the screen. The shadows coalesce in the centre where they flip and mirror each other.